We are delighted to be presenting a new collection of paintings in the Christmas Exhibition by Alison Pullen.
Alison has been working in a variety of venues over the summer, a private home in London, her favourite National Trust House, Osterley Park House, The Guard's Chapel in Chelsea and West Horsley Place.
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We have a new collection of Bee Bartlett Oxford paintings, just in time for Christmas.
Bee Bartlett explores the balance between composition and experimenting with materials in her painting. She draws us into her own view of the world by creating 'likenesses' of towns, cities and countryside, seeking out the character of a place, by honing in on an architectural element, a unique light, or view point to build a sense of familiarity.
Her interpretation of her emotional response to a place creates a fresh and lively feeling on the canvas and it is here on the canvas that the tension between the composition and the materials come into play as she uses different materials to create the final works, gold leaf, plaster, chalk paint, oil, pencil and collage.
We have a collection of ten small-scale fine art prints from Rory Carnegie.
Each of Rory's images are a composite of multiple layers of landscape with the aim of creating something that "the viewer could delve into, a palimpsest, pulling back the layers as one might on an archaeological dig, or even uncovering layers as one examined oneself or others."
By photographing animals in a studio, and so removing them from their natural surroundings, Rory plays with our perception of a familiar looking beast, heightening the extraordinariness of species both wild and domesticated. Placed against the atmospheric backdrops of rural landscapes, a tiger's stripes become even more vivid and surreal, or a bird's plumage more striking and outlandish.
We have four readily framed and six mounted, all in editions of 5.
We have a collection of new work from Mychael Barratt from his much-loved artist's cats & dogs series.
Mychael Barratt's work taps into the deepest of printmaking traditions and like Hogarth, he seeks out the humorous, the uncanny and absurd, along with the tender and poetic side of life. Delving into his extensive personal library of art books for inspiration, history and narrative are the cut and thrust of much of Mychael's work.
We also have 'Love Notes & Little Boats', a woodcut exhibited in this years Royal Academy Summer Show, as well as more editions of sort after older prints such as 'Mattise's Cat' & 'Cy Twombly's Cat'.
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