We have a new collection of ceramics by Linda Bloomfield, fired at the Oxford Anagama kiln in Wytham Woods.
Linda says, 'I fired the ceramics together with a team of 12 potters working through the night in four-hour shifts for three days under the guidance of Svend Bayer and Brigitte Colleaux. The anagama kiln was built by Svend Bayer on the Oxford kiln site at Wytham woods, run by Robin Wilson of the anthropology department at Oxford University. The wood was a mix of ash and pine, from dead and diseased trees cut by the foresters in Wytham woods. We camped at the kiln site and enjoyed walking in Wytham woods in between firing. My porcelain pots have various slips and glazes, including flashing slip, ash glaze, chun and celadon. The colours come from the soluble salts from the burning wood and fly ash carried on the flames through the kiln.'
We're pleased to welcome artist Kleiner Shames to Sarah Wiseman Gallery.
Kleiner Shames creates vivid works informed by typography and graffiti. Painting directly onto the surface, he intuitively builds each composition as he works, allowing forms to direct where he goes next. He works in painting, printmaking, and sculpture.
Previously working as a sign painter, Kleiner Shames uses typography as the staple for his imagery. He abstracts letters into dimensional forms, playing with their shadows against negative space. He is also interested in the dynamics of graffiti painting - he says, ‘Graffiti requires accuracy and speed… once the piece is done, then there’s another artist chomping at the bit to take you out. You’re lucky if your efforts last a week. But it’s good practice.’
We have a new collection of paintings from James Fotheringhame.
Nature painter James Fotheringhame has an intense curiosity for the natural world, studying it both in the field and in the studio. A wide range of subjects sees him exploring coastal sea-life, the plants found in his gardens or the wildlife he encounters near his home in Warwickshire. His work is a striking combination of formal, representational painting and abstracted, gestural mark making. Detailed studies are contrasted with the raw surface of the canvas or broad washes of vivid colour as well as expressive drips and splashes of paint, the focus primarily on painting as a process and his experience in the studio with the work.
This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.