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Allyson Austin

 
Allyson Austin - Allyson Austin   Hide and seek   Monotype   £795   87x120    Allyson Austin - Allyson Austin   Molasses   Monotype   £825   100x120cm Framed Size Allyson Austin - Allyson Austin   Slaaen   Monotype   Image Size 119 x 149cm   £1295 Allyson Austin - Allyson Austin   Quarne   Monotype   Image Size 106 x 129cm   £995 Allyson Austin - Allyson Austin   Wisdahl   Monotype   Image Size68 x 48cm   £575 Allyson Austin - Allyson Austin   Svihoree   Monotype   Image Size107 x 66cm   £695 Allyson Austin - Allyson Austin   Froeschole   Monotype   Image Size98 x 70cm   £895 Allyson Austin - Allyson Austin   Bjella   Monotype   Image Size68 x 48cm   £575

Allyson Austin
Hide and seek
Monotype
£795
87x120
 

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Using the simplest, most direct form of printmaking; monotypes, Allyson Austin's powerful and arresting work confronts the earth's most dynamic, natural phenomena. From twisters to glaciers, volcanic movements and forest fires, her work manipulates colour, texture, temperature and landscape to portray the earth's forces, its uncompromising grandeur and its fierce elemental power.



 

ALLYSON AUSTIN BIOGRAPHY

Allyson AustinAllyson Austin - Hide and Seek

Allyson AustinAllyson Austin - Blot

Allyson AustinAllyson Austin - Champion

Born  1968 St Helens

EDUCATION
1985 –87 St. Helens College of Art and Design, Arts Foundation Course.
1987 –90 Leicester Polytechnic, BA Fine Art Painting and Printmaking.
1990 –91 Leicester Polytechnic, P.G.C.E. Art Education.
1999- 01 MA Printmaking, Cheltenham College of Art & Design

EXHIBITIONS
1998 Wycombe Fringe Festival, Bucks.
1998 Oxfordshire Open Studios
1998 Revealing The Image, The Wiseman Gallery, Oxford.
1999  Solo Exhibition, The Wiseman Gallery, Oxford.
1999 Christmas Exhibition, The Wiseman Gallery, Oxford
2000  Solo Exhibition, First Floor Galleries, The Wiseman Gallery
2000  The Affordable Art Fair, London, The Wiseman Gallery
2001  The Affordable Art Fair, West, The Wiseman Gallery
2001  The Affordable Art Fair, Battersea, London
2001 The Wiseman Gallery Christmas Exhibition
2002 Art on Paper Fair, Royal College of Art
2002 Solo Exhibition of New Works, The Wiseman Gallery
2002 The Affordable Art Fair, Autumn, London
2003   Art on Paper Fair, Royal College of Art
2003  The Affordable Art Fair, Autumn, London
2004   ‘Ad Infinitum’ with Kathryn Thomas, Sarah Wiseman Gallery
2004 The Affordable Art Fair, Autumn, London
2005  Art on Paper Fair, Royal College of Art, London
2005  Linacre College, Oxford
2005  Said Business School, Oxford
2005  Affordable Art Fair, Autumn, London
2005   Sarah Wiseman Gallery, Christmas Collection

AWARDS
1987  Wooton Painting Prize
1989  Holiday Inn Travel Awards I and ll
1989   Anstey Travel Award

STATEMENT

Writing about the ideas and concepts behind artwork is not easy, often feeling that if one could say in words what the work is about, then the work would present itself in the form of a book, which it does not.

Fundamentally my work concerns itself with the dynamics of the weather and the natural environment and their subsequent effects, both temporal and spiritual, upon the landscape and ourselves. One of my main objectives is to maintain a global, international overview of the subject, hence my work has taken me to such places as Iceland, Morocco, the volcanoes of Italy and Sicily and my next planned trip is Greenland.

Weather and the natural environment are multi-dimensional. The nature of their existence is very sensual, has touch, taste, temperature, shape, colour, time, volume, mass and space. Simultaneously the movements of these elements exist as both scientific and spiritual phenomenon. Dynamically these elements move and breathe together as a kind of global conversation. Organic in nature, elastic, moving, receding, clear and also ambiguous at the same time, they remain the last frontier and beyond any form of control. The movement of weather and natural phenomenon will always have its sense of mystery for us as spiritual beings and their effects upon us as civilisations will continue to be documented in many forms throughout our history.

There is never an ‘absence’ of weather. It is metaphoric in the sense that it communicates to us aspects of ourselves, and temperamentally it is not dissimilar to our own nature as human beings. It can be easily anthropomorphised, we give it names and project characters and personalities onto it to build patterns of behaviour, in an attempt to explain erratic, contrasting, violent and docile demeanour.

It is this metaphoric comparison, which forms the conceptual content of my work.

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