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Martha Winter | |||
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Martha Winter |
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Enquire about Martha Winter Martha Winters's work stems from a sculptural perspective, even though it is mainly wall based. It is the outcome of many influences from the conventional desire for a sculptor to engage with her materials to the objective observation of the way these materials physically exist in the landscape. Martha Winter's fascination with geometry and geology results in calm contemporary pieces whose elemental compositions resonate with our subconscious. |
MARTHA WINTER BIOGRAPHY
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1966 Born in 1999 -01 1985-88 STATEMENT
My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up with minimal art and modern architecture, which gave me the visual language of reduced and economical form and a fascination with systems, repetition and order. Secondly, the regular witnessing of the raw power of the Whilst the sources of my work remain constant the means of realisation has gone through several changes. I began drawing onto flattened soil in the studio as a way of exploring geometry (which literally means measure of the earth). Due to the ephemeral nature of this work, regular photographs were made. I began working in the landscape, making larger marks with a spade and creating varying patterns and textures by seeding areas. The resulting photographs, some taken from an aeroplane played with a sense of scale, making connections with micro and macro worlds, that whilst appearing abstract had clearly existed. Recognising a desire to directly present the materials, whose substance could only be alluded to via the camera, I began to experiment with techniques to make the work permanent. I realised that by presenting the actual materials away from their environment, I was able to communicate more generally about aspects of order, complexity and the physical nature of matter. Whilst working alongside scientists during a residency, I became aware of the overlap between some scientific procedures and my own creative process. Although the intentions differ there is a meticulousness involved in the systematic method of collating, categorising and observing permutations that are common to both. By working with permutations of an idea, I was able to present multiples with minute variation, concentrating on subtle differences in pattern while also alluding to the passing of time. During a trip to the Galapagos I saw the results of extreme geological phenomena captured in the lava; this black rock was patterned with the evidence of change from a liquid to a solid state. Following this I became interested with patterns in the formation of matter, from the slow accumulation of cocoliths to form chalk to the swift build up of sand to create dunes. Through my work I continue to explore my obsession with geometry. Through the use of actual materials I can reference landscape and by reducing compositional elements to the minimum and can explore natural pattern. I am interested in using repetition to emphasise the organic ordering of parts to create heavily textured surfaces. I aim to create pieces that provoke contemplation on the similarity and complexity of mathematical patterns in our universe. Martha Winter 2007 Martha Winter regularly contributes to group exhibitions including shows in
SELECTED EXHIBITIONS AND ART FAIRS 2008 Solo Exhibition, Byard Art, Guest Artist, ERBI Conference, Wellcome Trust, Art Fairs: Art London, AAF ( Gallery Artist: 2007 Organic, Group Show, Sarah Wiseman Gallery Recollect, Corman Arts, Group Show, Queen Street Gallery, Hampshire Art Fairs: Art London, AAF ( Gallery Artist: Beverley Knowles Fine Art ( 2005/06 Art Fairs: Art London, AAF ( Gallery Artist: Beverley Knowles Fine Art ( 2005 Solo Show, Byard Art, 2004 Art Fairs: AAF ( Open exhibition, The Discerning Eye, The Mall Galleries, Open exhibition, Crossing the Line, 2003 Solo show, Earthscape, Gallery 96, 2002 Open exhibition, Land, Artsway, Hampshire. Open exhibition, Kettle’s Yard, National Science Week, Earth Zone, 2000 Two person show, Plant, Alchemy Gallery, 1999 Solo Show, Line and Variety, Gallery 96, SELECTED COMMISSIONS 2007 East II triptych commissioned by Schroders Investment Management, Warm Void Ring II commissioned for Accenture UK Ltd, 2006 Abacus Grid, pebble wall piece commissioned for Bank Head Office London. Matter Series, six wall pieces commissioned by Salens, Circle Series, six wall pieces commissioned by Hogan and Hartson, 2005 Foreshore, triptych commissioned by Quintain Estates, Pebble slide, wall piece commissioned by Johnson and Johnson, Abacus, triptych commissioned by Deloitte and Touche, 2004 Sculpting Summer Residency, sculpture using "floating pebbles" and tidal flow, Norfolk Broads, commissioned by South Norfolk Council. Autumn Grid, wall piece commissioned by Cambridge Antibody Technology. Ebb and Flow, triptych, commissioned by Tui Ltd Chamonix, France. 2003 Sand Shadow 1, wall piece commissioned by Landro Ltd Suffolk. Marl Form, five wall pieces commissioned by Evertsheds, 2002 East Matter, four wall pieces commissioned by Virgin, East 2, wall piece commissioned by Eye Scan. 2001 Orbit, wall piece commissioned by Phusis, Latent, wall piece commissioned by Baird 2000 Allotment Residency, funded by The Arts Council, Year of the Artist scheme. 1999 Chalky Void, submerged land sculpture, commissioned by Cass Wedd and Lord Melchett for Courtyard Farm, Ringstead, Norfolk. COLLECTIONS
University of Cambridge Chemistry Dept. Shroders Investment Management, Accenture UK Ltd.Salens, Virgin, Landro Ltd ,Ellis-Miller Architects, Eversheds, Eye Scan, Phusis, Cambridge Antibody, Tui Ltd, Deliotte and Touche, Johnson and Johnson. |









Martha Winter - Frosted Void Ring
Martha Winter - Graded Pebbles
Martha Winters - Blue easterly Circle