News

 

Late Summer Exhibition -

Brand new work from Alison Pullen & Sue Bartlett now on show

Alison Pullen
´Osterley´
£2200
Mixed media
H86cm x77cm Framed

 

Alison Pullen
´Osterley, Long Gallery´
£2200
Mixed media
H74cm x100cm Framed

 

Alison Pullen
´Royal Hospital Chelsea, Stateroom´
£2500
Mixed media
H99cm x89cm Framed

 

Alison Pullen has wowed us once again with a striking collection of paintings – interior scenes from the Perne Library, Christchurch Oxford and Osterley Park House. Her stunning paintings are always created in-situ using ‘found images’ from interior magazines, on top of which she paints whilst in the room observing.  Initially, I find a viewpoint in the room which I find interesting or challenging, then look through hundreds of magazine pages,’ she explains. ‘Viewing the subject I find what’s striking me, for instance a strong light area, a deep shadowed recess or an interesting light effect on the floor.’

Alison's new collection is on show now in the gallery and you can click here to view more online.

 

Sue Bartlett
´Follow Your Bliss´
£1400
Wax, glass and mixed media on canvas
H100cm x100cm

Sue Bartlett
´Floating in a Turquoise Sea´
£540
Wax, glass and mixed media on canvas
H50cm x50cm

Sue Bartlett
´Nowhere to Go But Everywhere´
£1300
Wax, glass and mixed media on canvas
H90cm x90cm

Sue Bartlett has taken some time off from exhibiting to concentrate fully on working in the studio during this year. Her distinctive working methods of using wax with glass on canvas has not changed, however her love of travel and exploration is informing a brand new body of work.

In moving away from floral shapes, Sue has begun experimenting with abstract forms and textures - her paintings now incorporate more pattern, text, mixed media and even luminescent pigments. The shapes are evocative of either tiny tropical islands viewed from above, or sparkling rock-pools gazed into while on a beach. Lines of poetry, inspired by travel, wind their way into the paintings as if floating through a dream; pools of colour are punctuated by sculpted corals and shells.  

'These new paintings are about the notion of escapism…a discussion focussing on the pleasurable, joyous side of life and spending time with a soul-mate. Through this series of paintings, I am trying to evoke the feeling of wanderlust when we look at a map or at a snow-globe...a yearning to travel and to change our horizons. I want to convey the joy of the sun on your back, the ocean at your feet and the sparkle of life itself.’  

Click here to read more about Sue and see the full collection.

 

 

 

COMING SOON: PHOTOGRAPHY OXFORD at Sarah Wiseman Gallery

Friday 12th September - Saturday 4th October 2014

Coming this Autumn, Sarah Wiseman Gallery is delighted to announce three artists that will be taking part in the very first international festival of photography taking place in Oxford PHOTOGRAPHY OXFORD 2014.

 

Rory Carnegie:

Rory will be showing a selection of large-scale photographs from his‘Port Meadow Dogs' series at Sarah Wiseman Gallery. At the end of last year, Rory Carnegie won gold for Best Portrait Series category at the Association of Photographers Awards. (AOP) The photographs will be available to buy as part of a limited edition print series, either framed or unframed from Sarah Wiseman Gallery.

Working with local owners and walkers, he has completed a series documenting dogs that walk on the Meadow each day. He has photographed thelandscape throughout the seasons, composing the images in layers, creating an ethereal, haunting portrait likeness -as a result they are almost painterly in quality,reminiscentof thestyle of Landseer or Stubbs.

Rory Carnegie is an award-winning photographer based in Oxford. His work has been published in The Observer, LA Times, The Telegraph Magazine, The Sunday Times, GQ, The Independent Magazine, Creative Review and the British Journal of Photography.

Rachael Edgar is best known for her printmaking, creating surreal images based on song-lyrics, poetry and folklore. Fresh from her post-graduate degree, she has created a new series of contemporary work using a very early photographic process, first used by the nineteenth century pioneers in photography.

Gum Bichromate photography works by the artist coating a surface (such as paper) or in Rachael's case, glass, in a light-sensitive emulsion. The print is made by applying a transparency (a photo-negative, for example) to the coated surface and exposing it to a UV light-source. The resulting print is manipulated by hand to achieve varied results, combining technical know-how with sensitive artistry.

The Victorian aesthetic of early photographs made this way has informed Rachael's new series. The prints themselves, which contrast images of playful innocence with darker, more unsettling tones, are an exploration of the psychoanalytical state of 'ambivalence' a state of having simultaneous, conflicting feelings that should exist in equilibrium.

The prints aim to discomfit by disrupting that equilibrium into its component, conflicting parts, asking the viewer to move from one state to another and back again.

David Rhys Jones takes photographs while out on pre-planned walks, typically around an urban area. He is drawn to the eccentricities found in UK towns; old shop signage, gargoyles or even graffiti; the layers and layers of history laid down by generations of inhabitants, moving through the streets and buildings. He has recently completed a project exploring the history of Gray's Inn in London [pictured above] using spoons to explore the history of its medieval dining hall. He is planning a similar series of work on spoons in response to the famous 'Sheldonian Heads' in central Oxford.

The resulting work, photographs transferred onto ceramic or metal are shown as wall-mounted pieces, alone or arranged in groups, which David describes as 'constellation viewing'.

David Rhys Jones originally trained at the Slade, specialising in printmaking, before completing his masters in Ceramics at Central St Martins. His interest in transposing images onto different surfaces; silk, metal, plastic for instance – led to his method of using porcelain combined with photography and print.

 

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