Karolina Larusdottir | The Magic Man

  • Karolina Larusdottir watercolour a magic man stands on a shoreline with a woman looking for something in her purse. A group of onlookers stand on rocks expectantly waiting.

    Karólína Lárusdóttir, The Magic Man, Watercolour

     

    We are delighted to present this October a large watercolour by Icelandic artist Karólína Lárusdóttir (1944 -2019). The Magic Man will take centre stage in the exhibition which also features rare editions of her sought after etchings.

     

    The Magic Man is a wonderful example of how Karólína explored her early upbringing in Iceland through her painting and printmaking. The setting, a rocky shore with rich blue seas and grey leaden skies, evokes the volcanic landscapes of her homeland, with onlookers at the shoreline, expectantly waiting for the action to begin. A woman delves into her handbag, while the Magician holds out his oversized hand towards her, we wonder what is she looking for? A coin for a trick, a playing card, will she discover a rabbit or a dove?

     

    The interaction between the protagonists creates more questions than answers, leaving us in a constant state of anticipation, which is a signature of Karólína’s work, she presents the incongruous with just enough detail to leave us wanting to know more.

     

    This theatre is played out through much of her work, a key influence was her family connection to the Hotel Borg, Reykjavik. The first ‘grand’ hotel in Iceland, it was opened in 1930, and built by Karólína’s grandfather, a former strongman in a travelling circus. The hotel became a fixture of Icelandic cultural life, with teas, parties and musical evenings. Karólína, who spent a lot of time at the hotel throughout her childhood, has taken many of the characters of the hotel as players in her work. Chefs and chambermaids gather with hotel guests who sit with their tea and toast. They are unsmiling, yet never dour, as if in tacit understanding.

     

    The occasion of a gathering was considered hugely important in mid -50’s Icelandic society, a reason to dress in Sunday best, to see family and friends or for a birthday party. To have a performer to entertain would have been a real treat, hence the great reverence shown to our magician.

    Karólína’s work is also underpinned by the other-worldly and mystic elements of Icelandic culture. Using wry humour, she enhances the surreal and timeless qualities of different happenings, depicting stern-looking angels and other mysterious characters that appear in her art works.

     

    Born and raised in Iceland, Karólína Lárusdóttir moved to Oxford to study at the prestigious Ruskin School of Art at Oxford University, graduating in 1967. Despite living and working for most of her life in the UK, Karólína admits, “everything in my work is to do with Iceland: the landscape, the people, the way I remember life as a child”.

     

     

  • Works
  • Background

    Karólína Lárusdóttir sadly passed away days before the opening of her 2019 exhibition, at the gallery, ‘Wonderous Happenings’, arranged to celebrate her 75th Birthday. The exhibition continued with her family’s blessing and became a moment for those who knew Karolina and her work to come together. Each visitor shared their memories of Karolina, her incredible artwork and wonderful personality, it was a special moment – in true Karolina style a ‘Wonderous Happening’.

     

    All the etchings we exhibit come directly from Karólína’s son and daughter who manage her estate. The Magic Man has been consigned by a collector who is downsizing, it was purchased by him in 1990’s from Brandler Galleries, who at the time represented Karólína Lárusdóttir and held regular exhibitions of her work. 

     

    Some years before passing away Karólína had a stroke, leaving her unable to sign remaining print editions, her family with her blessing chose to release them with a stamp signature and a blind stamp on the paper in the corner. There are some editions available where her signature is weak due to her frail health at the time.

     

    For the exhibition we will present additional  framed etchings that we have previously exhibited.  

     

    Sarah Wiseman Gallery started exhibiting Karólína Lárusdóttir's work in 2001,  holding a solo exhibition of paintings and etchings in 2004, we represent her work on an ongoing basis.